Among the various tools of calligraphy, writing brush is
peculiar to China. The brushes are varied, and white goat's
hair, black rabbit's hair and yellow weasel's hair are three
major types. On the basis of the function of tip, the brushes
are classified into three groups: "Hard", "Soft" and "Both".
The handle is made of not only bamboo, wood, lacquer and
porcelain, but also some precious materials including
mother-of-pearl inlay, ivory and jade.
Writing brush has such a long history that prehistoric
painted pottery, inscriptions on oracle bones, bamboo
slips and silks are all writing materials for brush. Some
ancient writing brushes were also excavated in the graves
of the Spring and Autumn Period, the Warring States, the
Qin and Han Dynasties. In the Tang and Song Dynasties,
Xuanzhou became the national writing-brush-producing
center, whose products were called "Xuan-bi", and
"Zhuge-bi" was the best in quality in Xuanzhou. After the
Yuan Dynasty the brush-producing industry of Huzhou
boomed, and "Hu-bi" replaced "Xuan-bi". The
characteristics of "Hu-bi" were sharp, neat, round and
tough.
The ink-stick is the unique pigment of Chinese traditional
painting and calligraphy. At the initial stage natural ink or
half-natural ink was generally used. It was during the Han
that artificial ink appeared. At that time the most famous
ink-stick was "Yumi-mo" produced at Qianyang, Shaanxi.
The raw materials of ink-stick were pine, oil and lacquer.
Before the Five Dynasties the ink-producing center was in
the North, then it reached the South. The most celebrated
South ink-stick was "Hui-mo", which was produced in
Huizhou of Anhui.
Paper ( the background of this page you are reading now
is a kind of writing paper made in Qing Dynasty) is one of
the most famous Chinese inventions. It is widely accepted
that paper was invented by Cai Lun in the Eastern Han.
However the archaeologists have discovered paper of
Western Han such as "Fang-ma-tan" paper, "Ba-quao"
paper, "Xuan-quan" paper, "Ma-quan-wan" paper, "Ju-yan"
paper and "Han-tan-po" paper.
After the Eastern Jin Dynasty, paper was extensively used
instead of traditional writing materials such as bamboo
slips and silks. Various methods of producing paper
emerged one after another.
In the Tang and Song Dynasties, the paper producing
industry was very thriving. Celebrated products in best
quality appeared one after another. In the Qing "Xuan-zhi"
produced in Jing Prefecture of Anhui (Xuanzhou), became
the special paper for painting and calligraphy, and was
regarded as "the king of the paper".
Inkstone is the most important of "four treasures of the
study". Because of its solid texture inkstone can be
handed down from ancient times.
In the ruins of primitive society the archaeologists
discovered simple stone ink-slab that needed a pestle to
grind pigments. After artificial ink-sticks appeared in Han,
pestle gradually disappeared. There were pottery ink-slab,
lacquer ink-slab and copper ink-slab in the Han Dynasty as
well as stone ink-slab. Among the stone ink-slabs, the
round tripod pieces were the most typical. During the Wei,
Jin and Northern-and-Southern Dynasties, round tripod
porcelain ink-slabs were in vogue. It was in the Sui and
Tang that "Piyong" inkstone having circular legs appeared.
Ancient tools of calligraphy included not only brush,
ink-stick, paper and inkstone, but also some accessories
such as penholder, brush pot, ink box, paperweight, seal,
seal box. The raw materials of these tools were pottery,
porcelain, copper, iron, lacquer, wood, bamboo, stone,
jade, jadeite, agate and coraI.
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